Suzanne Newman Fricke, First American Art, No. 28 (Fall 2020): 78-9.
A review of the exhibition catalogue for Skawennati’s From Skyworld to Cyberspace, curated by Matthew Ryan Smith and circulated by McIntosh Gallery at Western University.
An Orderly Assemblage of Biases: Troubling the Monocultural Stack
Jason Edward Lewis.
In Afterlives of Indigenous Archives: Essays in Honor of the Occom Circle.
pp. 218-231. 2019.
Rupturing Settler Time: Visual Culture and Geographies of Indigenous Futurity
Amber Hickey, World Art. 28 July 2019.
Skawennati’s work is considered, along with art by Bonnie Devine, as a method of resisting Euro-Western notions of time.
SIGGRAPH Art Gallery 2018
Iwao Haruguchi, DiVA Digital, Interactive and Visual Arts, vol. 46 (Summer 2019): 20-27.
Article in Japanese featuring discussion of Skawennati’s machinima She Falls for Ages, as well as He Ao Hou (A New World).
Concevoir l’intelligence artificielle autrement
Concordia’s Jason Edward Lewis wants ethical artificial intelligence with an Indigenous worldview
Winter Partiers Enter The Real And Online Worlds
A Home Beyond: Indigenous Futurisms in the Visual Arts
5 minutes pour que je te dise
Laetitia Techer. Ondinnok, 2018.
Review of Skawennati’s participation in Printemps autochtone d’Art #PAA3.
In French.
Contemporary Native Art Biennial/ La Biennale d’Art Contemporain Autochtone 2018
An Interview with Skawennati: A New Frontier to Create Access to Arts and Culture
Native Art Incorporating Star Trek And Other Sci-Fi In Las Cruces
CyberArts 2018 Prix Ars Electronica
Indigenous Peoples Are Decolonizing Virtual Worlds
Exhibit showcases art with view from diverse communities
Unprecedented Billboard Campaign Puts Spotlight on Indigenous Artists in Canada
Out of Lines: Skawennati
Out of Lines, CKUT 90.3 FM, Montreal, July 5, 2018.
Interview with Skawennati.
Billboards celebrate indigenous women’s resilience in Canada
Resilience Project Blazes Billboards Across Country
Resilience billboards put the spotlight on Indigenous artists
All in a Weekend Montreal with Ainslie MacLellan, CBC Listen. June 16, 2018, Audio, 13:59.
Artists Hannah Claus and Dayna Danger talk about their contributions to the massive outdoor art project along roads coast to coast.
Generations of Play
Taking Back the Territory
Art contemporain autochtone: une Biennale 100% féminine
Ottawa Report: The New and the Renewed
La réconciliation peut-elle se faire par les arts?
What does the future hold for Indigenous communities?
“Holding Territory, Making Futures: Aboriginal Territories in Cyberspace and the Initiative for Indigenous Futures”
B3 Exhibition ON DESIRE
B3 Biennial of the Moving Image
29 November to 20 December 2017.
Offenbach University of Art and Design, Hesse, Germany.
Skawennati’s She Fall for Ages exhibited in ON DESIRE
L’art autochtone s’affiche dans sept expos à montréal
UWinnipeg’s Dr. Julie Nagam hosts symposium on Indigenous Futures
Interview with Suzanne Kite
XX Files Radio. CKUT 90.3FM. 23 November 2017.
Jules the Ghoul interviews AbTeC PhD graduate research assistant Suzanne Kite.
L’art de Skawennati révélé dans ses dimensions militante et éducative
Telling Indigenous stories in cyberspace
Owerà:Ke Non Aié:Nahne / Filling In The Blank Spaces / Combler les espaces vides
Leonard and Bina Ellen Gallery. 4 November to 2 December 2017.
Montreal, QC.
Website and essay on AbTeC’s retrospective exhibition-forum Filling in the Blank Spaces (2017).
Decolonizing Immersive Media
Enterprising Culture Conference, CFC Media Lab.
31 October 2017.
Corus Quay, Toronto, ON.
Opening keynote by Jason Edward Lewis.
Indigenous digital art — past, present and future
Achieve vertigo with virtual reality art
She Falls for Ages (2017): Skawennati’s Take on Indigenous Futures
Laura Demers. Graphite Publications. 4 October 2017.
Montreal, QC.
Article on Skawennati’s machinima She Falls For Ages (2017).
Indigenous Futures: Skawennati’s She Falls for Ages
Laura Demers. Graphite Publications. Montreal, QC. October 4, 2017.
Review of She Falls for Ages (2017)
Native Art Now! Developments in Contemporary Native Art Since 1992
Ryan Rice. “Everything Comes Around: Native Media.” Eds. Veronica Passalacqua and Kate Morris, 302-317. Indianapolis: Eiteljorg Museum of American Indians and Western Art.
Entrevue avec Jason Lewis
The Celestial Tree inspires visions of collective action
Path of Resilience highlights Indigenous artists
Nation to Nation
Indigenous artists create virtual-reality vision of a future Canada
Forget 2017 — these Indigenous VR artists are imagining Canada’s future 150 years from now
Demain, hier : « Tomorrow People » de Skawennati à Oboro
9 Canadian Connections at the Venice Biennale
Imaginer Son Avenir
375: Le mode de demain
Programmation et projets socio-economiques de la
Societe des celebrations du 375 anniversaire de Montreal
Featuring Skawennati’s work.
Native Sci-fi Rises
Lisa Sproull.
Cult MTL. 2 February 2017.
Montreal, QC.
Article on Skawennati’s Exhibition at Oboro.
New Art Work Explores Identity And Technology
2167
imagineNative. 2017.
Toronto, ON.
Article on the virtual-reality project 2167, led by Initiative for Indigenous Futures in partnership with imagineNATIVE, TIFF and Pinnguaq.
“Indigenous existence is resistance”
Jason Ryle, Scott Benesiinaabandan, Danis Goulet, and Raven Chacon. tiff. 2017.
Toronto, ON.
Roundtable hosted by the artistic director of imagineNATIVE with the artists of 2167.
Why I Write Indigenous Sci-Fi
The Centrality of Marginality: Speculative Play About Memory, Race, Gender, and Sexuality in the Digital Arts
Jason Edward Lewis + Rilla Khaled.
Common Aliens Symposium. 4 December 2016.
Atelier Céladon + Studio XX.
Initiative for Indigenous Futures
Playing in a Decolonized World
A (Brief) Media History of the Indigenous Future
Designing Alternative Indigenous Timelines Using Role-Playing Games
Allen Turner.
Concordia University. 11 November 2016.
Montreal, QC.
Future Imaginary Lecture Series.
Material Connections in Skawennati’s Digital Worlds
Judith Leggatt. Canadian Literature.
University of British Columbia. Autumn-Winter 2016.
An Orderly Assemblage of Biases: Computation as Cultural Material
Indigenous Researcher Kicks Off New Concordia Lecture Series
An Indigenous Logic of Relationality
Kim TallBear.
Concordia University. 14 October 2016.
Montreal, QC.
Future Imaginary Lecture Series.
Populating the Future Imaginary: Visualizing Indigenous Futures
Skawennati’s TimeTraveller™: Deconstructing the Colonial Matrix in Virtual Reality
Treva Michelle Pullen.
AlterNative: An International Journal of Indigenous Peoples. Volume 12, Issue 3. 2016.
Article referring to TimeTraveller™.
Eight Renowned Jury Members Evaluate Canada’s Innovative Digital Projects
Indigenous Artists to Reimagine Canada’s Future in VR
Effacement des Limites Entre Identités Réelles et Virtuelles et Entre Notre Existence en Ligne et Hors Ligne
The Difficult History of Indigenous People in Video Games
Revendications Territoriales… Dans le Cyberespace
Building a Future in Which Indigenous People are Present and Thriving
Indigenous Students Call for More Cultural Spaces at Concordia University
Fennario, Tom.
Aboriginal Peoples Television Network. 11 April 2016.
Speaking on the subject of indigenous students at Concordia University.
L’avenir Autochtone, C’est Aussi le Vôtre
Indigenous Video Games You Should Download
MUSKRAT Magazine. 1 April 2016.
Article referring to Skins games.
Milieux Institute: Concordia University’s Cutting-Edge Hub
Reimagining Native Americans in the Arts
THE STREAM. Al Jazeera. 22 March 2016.
Interview with Skawennati.
Skawennati New Media Artist Talk
Between Anxiety and Hope: Aboriginals Draw Their Future
The Aboriginal Presence in the Future
VICE DU JOUR. 22 February 2016.
Interview about IIF.
WHERE NEXT?: Creative Writing, Narrative, Film and Contemporary Art Symposium
Alberta College of Art + Design. 12-13 February 2016.
Calgary, AB.
Jason Edward Lewis: Keynote Presentator.
Media Mavericks Talk Past, Present And Future
Daniel, J Rower.
The Eastern Door. 12 February 2016.
Skawennati speaking on the resurgence of Indigenous Representations in Media.
Imagining Indigenous Futures
A Brief (Media) History of the Indigenous Future
Skawennati Media Art History: RE-CREATE
Skawennati.
Re-Create. 11 November 2015.
Montreal, QC.
Skawennati: Keynote Speaker.
Passage Oublié Analyzed in Dark Matters by Simone Browne
Imagining the Next Seven Generations: TEDxMontrealWomen
Skawennati.
TEDxMontreal. Cinema Imperial. 30 May 2015.
Montreal, QC.
Indigenous Resurgence in Media Arts
Brittant LeBorgne. Michelle Smith. Skawennati.
Dawson First People Initiative. 10 February 2015.
Skawennati: Panelist.
Technologies of Self-Fashioning: Virtual Ethnicities in New Media Art
Alice Ming Wai Jim. ISEA 2015. 2015.
Proceedings on the 21st International Symposium on Electronic Art.
Grand Theft Rez: Building and Navigating a Community for Aboriginal Storytelling and Video Game Design
Jason Edward Lewis.
Community-Based Multiliteracies and Digital Media Projects. 28 April 2014.
Performing Apps Touch and Gesture as Aesthetic Experience
Maria Engberg.
Taylor & Francis Online. 13 March 2014.
Article about P.o.E.M.M.
CBC News coverage of Leading Together
Angela Sterritt.
CBC News. 11 February 2014.
Article referring to Skins games and workshops.
A Better Dance and Better Prayers: Systems, Structures, and the Future Imaginary in Aboriginal New Media
Jason Edward Lewis.
University of Alberta Press. 2014.
Calgary, AB.
Coded Territories. Pp. 48 – 77.
Leading Together: Indigenous Youth in Community Partnership
Angela Sterritt.
The J.W. McConnell Family Foundation. 27 November 2013.
Article referring to AbTeC.
This First Nations Artist Recreates Tense Moments in Native History in Second Life
Best New Media Award for Skahiòn:hati: | Rise of the Kanien’kehá:ka Legends.
imagineNATIVE Film + Media Festival. October 2013.
Toronto, ON.
New Media Competition.
TimeTraveller™: All Nine Episodes World Premiere
imagineNATIVE Film + Media Festival
Ghost Dance: Activism. Resistance. Art. October 2013.
Toronto, ON.
Referring to TimeTraveller™
The Future Imaginary: TEDxMontreal
Performance: Vital
Electronic Literature Organization. September 2013.
Paris, France.
Conference referring to P.o.E.M.M.
Panel: “Aura in the Age of Computational Production”
Electronic Literature Organization. September 2013.
Paris, France.
Conference referring to P.o.E.M.M.
Exhibition: Les littératures numériques d’hier à demain
Electronic Literature Organization. September 2013.
Paris, France.
Conference referring to P.o.E.M.M..
Learning to Design New Worlds
Tom Fennario.
Aboriginal Peoples Television Network. 19 June 2013.
Interview with Skawennati.
Call it a Vision Quest: Machinima in a First Nations Context.
Beth Aileen Dillon and Jason Edward Lewis.
Bloomsbury. 4 March 2013.
Understanding Machinima. pp. 187 – 206.
The Indigenous Way of Learning & the Ancestral Techs of Videogames
Tribal Realities Magazine. 12 February 2013.
Interview with Elizabeth LaPensee.
Creating Aboriginal Territories in Cyberspace
Digital Materiality
David Jhave Johnston.
Electronic Literature Interview Series. 2012-2013.
Montreal and Hong Kong.
Interview with Jason Edward Lewis.
TimeTraveller™: First Nations Nonverbal Communication in Second Life.
Beth LaPensée and Jason Edward Lewis.
Nonverbal Communications in Virtual Worlds. pp. 94 – 107. 2013.
Legends of Kahnawake Come Alive in Video Game
CBC Montreal. 1 November 2012.
Article about to Skins games.
New Video Game Brings Mohawk Legend to Life
CBC News. 26 October 2012.
Article about Skins games.
Un Premier Jeu Vidéo Mohawk Réalisé Par Des Autochtones de Kahnawake
Radio-Canada. 24 October 2012.
Article about Skins games.
Aboriginal Video Game Puts Modern Twist on Tradition of Storytelling
CTV Montreal. 20 October 2012.
Article about Skins games.
Poetry for Smartphones
Colin Grant and Gareth Mitchell.
BBC. 10 July 2012.
Radio Interview: Jason Lewis.
We Are Here! Eiteljorg Contemporary Art Fellowship 2012: Skawennati
Skawennati.
National Museum of the American Indian. 31 May 2012.
New York, New York.
Skawennati: Panelist.
Time Travelers, Flying Heads, and Second Lives: Designing Digital Stories.
Jason Edward Lewis and Skawennati Fragnito.
Community and Culture. March – April 2012.
Skahiòn:hati: Rise of the Kanien’kehá:ka Legends
Aboriginal Territories in Cyberspace. March 2012 – July 2012.
Game produced during Skins Workshop 3.0.
Typo 2011: Post PostScript Please!
Louis.
TYPO International Design Talks. 21 May 2011.
Article about P.o.E.M.M.
Typo 2011: Six Questions for Jason Edward Lewis
Louis.
TYPO International Design Talks. 18 May 2011.
Interview: Jason Lewis.
Post PostScript Please
Jason Edward Lewis and Bruno Nadeau.
Digital Creativity, vol. 21, no. 1. Pp. 18 – 29. 26 May 2010.
Future First Nations: Rezzing the 22nd Century
Jason Edward Lewis.
Canadian Game Studies Association Conference. 23-24 May 2010.
Ottawa, Ontario.
Skins 1.0: A Curriculum for Design Games with First Nations Youth.
Beth Aileen Lameman, Jason Edward Lewis, and Skawennati Fragnito.
Conference on the Future of Game Design and Technology.
Vancouver, BC.
The Fellowship of The Art
Brittany Leborgne.
The Eastern Door. 9 April 2010.
Kahnawake First Nations.
Article about TimeTraveller™.
The Good, the Bad, and the Sultry: Indigenous Women in Video Games
Beth Aileen Lameman.
Simon Fraser University. March 2010.
Writing with Complex Type
Jason Edward Lewis and Bruno Nadeau.
Digital Arts and Culture Conference. 12 – 15 Demeber 2009.
Native Resolution
Trespassing | Transgression
Maroussia Lévesque and Jason Edward Lewis.
No More Potlucks. No. 1, vol. 2. Winter 2009.
Montreal, QC.
(Im)Mobile Nation
Maroussia Levesque and Jason Edward Lewis.
In Mobile Nation: Creating Methodologies for Mobile Platforms. pp. 141 – 147. 2008.
Writing|Designing|Programming: The NextText Project
Jason Edward Lewis.
Media-Space Journal: Special Issue on Futures of New Media Art, vol. 1 no. 1. 2008.
Perth, Australia.
The Threat of Text
Maroussia Lévesque and Jason Edward Lewis.
Public Lettering Conference. May 2007.
Montreal, QC.
Performative Surface: Double Sided Interaction
Hugues Bruyère and Thierry Giles.
MULTIMEDIA ’07: Proceedings of the 15th international conference on Multimedia. 2007.
Article referring to research at Obx Labs.
Cityspeak, Citywide
Jason Edward Lewis, Maroussia Lévesque and Lucie Bélanger.
Mobilefest Conference on Mobile Technology. November 2006.
Sao Paulo, Brazil.
Taking Sides: Dynamic Text and Hip-Hop Performance.
Jason Edward Lewis and Yannick Assogba.
Proceedings of the 14th ACM International Conference on Multimedia. ACM Press. 23-27 October 2006.
Inter-inactivity
Jason Edward Lewis and Bruno Nadeau.
Proceedings of the Digital Arts and Culture Conference. 1 – 6 December 2005.
Copenhagen: IT University of Copenhagen.
Ritual Ecologies
Vanessa Kwan.
The Georgia Straight. 29 September 2005.
Article referring to IIF.
Aboriginal Territories in Cyberspace
Jason Edward Lewis and Skawennati.
Cultural Survival Quarterly, Pp. 29 – 31, vol. 29.2 July 2005.
Cambridge, Mass.
SenseText: Gesture Based Control of Text Visualization
Jason Edward Lewis and Frank Tsonis.
Proceedings of the 6th International Workshop on Gesture in Human-Computer Interaction and Simulation. 18-20 May 2005.
Berder Island, France
Terra Nullius, Terra Incognito : Aboriginal Reservations About Cyberspace
Jason Edward Lewis.
Blackflash, vol. 22. no. 1. Spring 2004.
Saskatoon, SK.
Five Suggestions for Better Living
Skawennati.
On Aboriginal Representation in the Gallery. 2002.
Ottawa, ON.
ActiveText: A Method for Creating Dynamic and Interactive Texts
Jason Edward Lewis and Alex Weyers.
1999.
Ashville, North Carolina.
Dynamic Poetry: Introductory Remarks to a New Medium
Jason Edward Lewis.
Royal College of Art. December 1996.
London, England.